Ref.
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Click to enlarge
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Details
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| A1 |
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The organ prior to the dismantling which
followed the rain damage of February 2000 |
| A2 |
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The old two-manual console. Just below
the lower manual is the blanked-off space where the third (Choir) manual was
planned to be. |
| A3 |
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The Front Pipes have been removed revealing
the Pedal Violone pipes mitred to fit the restricted roof space. |
| A4 |
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The existing key action is pneumatic. This
photo shows some of the miles of narrow gauge lead piping, now frail and
totally uneconomic to replace. |
| A6 |
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Part of the electronic control system; it
replaces the ailing pneumatic tubing. |
| A7 |
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David wiring up solenoids on the Great
wind-chest. |
| A8 |
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Inside the Open Wood wind-chest. 2
solenoids per valve are required to obtain sufficient power to open the
valves. |
| A9 |
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A novel use for the Nave Altar! Here is an
auxiliary chest being wired up ready for installation on the back wall
inside the Swell box. It will contain the Swell Mixture and a new
stop: the Fifteenth. Note the colour-coded wiring running away to the
right. There is about a mile of wiring in this section alone. |
| A10 |
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Some parts of the organ are unavoidably
inaccessible. Here David is sandwiched between the main reservoir and the
underside of the Swell box. |
| A11 |
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A general view of the organ interior showing
the solid state memory system (centre). to the right of centre
is a vertical section of trunking with an unwanted jagged hole, which has
now been blocked off. |
| A12 |
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The Choir wind-chest with the top removed
showing several hundred solenoids. These are connected to the control system
via an under-floor cable. The curious brown objects in the top left-hand
corner are chairs in the Nave seen through the West-facing arch. |
| B1 |
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The top of the Trombone wind-chest has
been removed and fitted with electric solenoids - one for each pipe - to its
under-side. On the extreme right is part of the choir's music library. |
| B2 |
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The Pedal Trombone is to be moved from the side to
the rear of the organ where it will blend netter with the rest of the organ.
This is its wind-chest in its new position. At the back (under the red bowl)
is the main blower with some of its trunking. It supplies wind for
everything except the Choir Organ. |
| B3 |
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The complete Trombone section. The
longest pipe is 16 feet. Because of the headroom problem each pipe is 'tied
in a knot'. This does not affect its working. |
| B4 |
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On the left, the corner of the Swell-box with the Pedal
Bourdon (note the stoppers). On the right some pipes of the powerful
Open Wood. Note the wooden attachment to each pipe which can be
swivelled for tuning purposes. |
| B5 |
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The bottom of the Open Wood. the seven longest
pipes are too long to be stood upright and so they are mounted horizontally.
These were the only pipes to be cleaned in situ. |
| B8 |
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Part of the Great Organ prior to dismantling.
note the old 'Sack-cloth' Altar Frontal here redeployed in an attempt to
protect the organ from damage from the hot-air heating system. |
| B9 |
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The Great Organ soundboard now bereft
of pipes. the small window in the background is that of the North Transept. |
| B10 |
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The Great Organ soundboard. On the right the
passage board and inlet pipes have been removed. |
| B11 |
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The Great Trumpet and (in the
background) a better view of the mitred Violone. |
| B12 |
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Some of the pedal-pipe work. Note those
stoppers in the ends. This makes them sound an octave lower. |
| B13 |
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The organ loft in disarray! All the pipe-work
has to be cleaned. The Violone, now up-rooted from its wind-chest,
leaning on the wall awaiting treatment. |
| B14 |
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Organ builder David White at work inside the
Swell box. The shutters have been removed. |
| B15 |
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The organ builder's daughter assists with the
refitting of the newly painted front pipes. (David White is at the other end
of the rope.) |
| B16 |
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The Swell Engine. A wind powered
device to enable the player to open and shut the shutters of the Swell box
from the console by means of a pedal. |
| C1 |
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The first few front pipes have been
remounted. The console and the entire front half of the organ have been
moved 1 foot back. |
| C3 |
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The remaining front pipes and the rest of the
Great Organ have been re-installed. Note the beige colour flexible tubing to
convey wind from the main reservoir to the various chests. |
| C4 |
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The front of the organ showing the newly
painted Front-Pipes of the Great Open Diapason and the
reconstructed console. |
| C5 |
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Close-up of the new console showing three
manual, drawstops, thumb and toe pistons, swell pedal and the top end of the
pedal keyboard. |
| C6 |
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A view from behind. Note the backs of the
green pipes are left unpainted. |
| C7 |
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Some of the Choir organ pipe-work reposing in
the South Transept awaiting installation. Some of the smallest pipes are
wrapped in newspaper. |
| C9 |
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A closer view of the Front Pipes |
| C10 |
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The West- facing arch in the South Transept
prepared to receive the Pedal Fifteenth. This will be mounted on the
specially constructed platform seen here. Just visible in the background is
part of the Pedal Trombone. |
| C11 |
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The Pedal Fifteenth installed in the
West-facing arch. The smallest of these pipes, invisible in this photo, are
tucked around the corners. The longest pipe, which is in the centre, is a
dummy. |
| C12 |
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The new casework in the South Transept near the St.
Francis window is made of oak. The new front pipes are made of zinc to match
the originals in the Chancel front. All the visible pipes have been painted,
not only to improve the visual aspect of the organ, but as a protection
against corrosion caused by the old heating system. Also, as a matter of
interest, all the visible pipes except one actually speak (the dummy is the
centre pipe in the new Transept front. |
| C13 |
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The 31 pipes comprising the pedal
Fifteenth. These will stand on the platform in the archway with the
Choir Organ behind. |
| C16 |
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The Choir Organ chest now complete with the
pipes mounted behind the Pedal Fifteenth. Like the Great organ
Front-Pipes, the backs are left unpainted. Note the two smaller pipes
'curled round' the corner, behind their brethren. |
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